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Your Favorite Band Is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life, by Steven Hyden
Free PDF Your Favorite Band Is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life, by Steven Hyden
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Review
"Highly entertaining.... Whatever side you take in these endless debates, Hyden's a dude worth arguing with."―Rolling StoneHyden is "a consistently insightful and funny writer.... YOUR FAVORITE BAND IS KILLING ME connects the dots of music history in new and intriguing ways. Hyden reminds us why we invest so much in these competitions, how they help shape identity for so many of us, while never losing sight of how silly they can be."―Alan Light, New York Times Book Review"Fluent, frequently hilarious, ultimately persuasive.... [Hyden's] as entertaining on Eric Clapton vs. Jimi Hendrix (chapter 7) as he is on Taylor Swift vs. Kanye West (chapter 5).... Hyden [is] a critic worth reading."―Chris Klimek, Washington Post"This book is funny, informative and essential reading if you ever again intend to argue loudly with a friend about music."―Seth Meyers"Steven Hyden didn't come to settle your rock arguments--just to make them louder. In this brilliant book, he pours a little kerosene on some of music's most heated feuds--some legendary, some forgotten, one involving Limp Bizkit. Your Favorite Band Is Killing Me is not only hilarious but surprisingly moving--Hyden captures the secret emotional details of why these stories matter, and how picking sides can accidentally tell you way too much about who you are."―Rob Sheffield, author of Love is a Mix Tape"Every serious argument about music is ultimately a non-musical manifesto--it's 10 percent about aesthetics, 40 percent about how the respective arguers view the world, and 50 percent about how those arguers view themselves. Steven Hyden lives inside this ratio and argues with himself, which means it's impossible to win. But that's what makes YOUR FAVORITE BAND IS KILLING ME so fascinating: The title is real. He's funny, but he's not joking."―Chuck Klosterman, author of Fargo Rock City and Killing Yourself to Live"If Nick Hornby's writing had a love child with Chuck Klosterman's, the result would be Hyden's clever prose.... By combining music journalism and pop psychology with some of his own life lessons, Hyden has created a literary mix tape that will be music to pop-culture junkies and the music-obsessed."―Publishers Weekly"Even the most knowledgeable music fan will learn from Hyden's musings, and anyone with a sense of humor will find his prose laugh-out-loud funny.... An outstanding piece of pop culture writing for readers who consider music an important part of their lives."―Craig L. Shufelt, Library Journal (starred review)"Hyden is an effortless writer, and he draws clever connections between artists and cultural phenomena spanning decades.... Illuminating and often hilarious.... Hyden is wise enough to know that declaring a winner is pointless (and so the book never does), but smart enough to discuss everything that might come with 'winning.'"―Jeremy Gordon, Pitchfork"Rich with unexpected tangents and entertaining insights, the book reveals Hyden's well-established talent for pumping out some of the most thoughtful writing on some of the least-cool artists (at least in critical corners)."―Zach Schonfeld, Newsweek
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About the Author
Steven Hyden has written for Uproxx, Grantland, The A.V. Club, Rolling Stone, Pitchfork, Slate, and Salon and is the author of Twilight of the Gods: A Journey to the End of Classic Rock and Your Favorite Band Is Killing Me: What Pop Music Rivalries Reveal About the Meaning of Life. He lives in Minnesota.
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Product details
Paperback: 304 pages
Publisher: Back Bay Books (May 17, 2016)
Language: English
ISBN-10: 0316259152
ISBN-13: 978-0316259156
Product Dimensions:
5.5 x 0.8 x 8.2 inches
Shipping Weight: 8 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
64 customer reviews
Amazon Best Sellers Rank:
#64,134 in Books (See Top 100 in Books)
Without going chapter by chapter, I think Steven Hyden did a good job of using musical and cultural comparisons as an entry point to discuss how we behave in so many other ways.For example, Oasis and Blur he uses to say that when he was growing up, you couldn't like both - if you liked Oasis, you must not like Blur. I think that's fair, especially when we're young and we're trying to create our "identity." This is equally applicable to real life - it seems like you can't "like" open carry gun laws and also "like" pro-choice - even though the two have nothing to do with each other, the beliefs are mutually exclusive. Our identities are restricted to a certain beliefs and we behave like they can't overlap.When he talks about the "culture wars" of songs, he used "Southern Man" and "Sweet Home Alabama" as a good example - he claims (and I'm not sure I buy this) that "Alabama" was written as a joke, almost, not a serious pro-south anthem. But that was in 1975 - in 2016, there's no irony to that song and it's as straightforward as it comes. The culture decided that the song represented a simple statement, regardless of what the artist did or didn't intend.There's lot of relevant examples, and cogent analysis. I want to try and use this in a college classroom setting as examples of how our relationship with music speaks to and mimics our real-life personalities. It is very 1990s specific, however, and most college students would only be vaguely familiar with many of these artists. So it's a potentially good resource, but maybe not ideal for audiences younger than about 30.
It isn’t often that a book greatly exceeds the expectations I had going into it. Mr. Hyden’s look at pop music rivalries is one. I wasn’t sure that I would even like this book since my interest in pop music is relatively minor and, besides Beatles vs. Stones, I wasn’t really much aware of any of these other rivalries. I thought, at best, this book would be a humor-filled romp through recent music history. It is that, but it turned out to be more. Mr. Hyden was able to use these rivalries as a starting point for larger commentary about our society.For example, he uses the Taylor Swift vs. Kanye West controversy epitomized by West’s interruption of Swift’s 2009 VMA award acceptance speech to explore the meaning of awards and why some people/music/movies/etc. are more likely to win awards than others. He uses Clapton vs. Hendrix to discuss how “survivors can’t help but pale in comparison to dead people†(p. 121). He describes how Neil Young vs. Lynyrd Skynyrd was a non-rivalry to discuss how music and fame is often co-opted by people who want to use it for their own purpose often very disconnected from the source material.This book was more than just a pleasant surprise for me. It is a book that delivers much more than the promise of its premise. It is a book that comments well on the current state of our society in a pleasurable way. It has become one of my favorite recent reads.
I bought this expecting a fun, light "beach read" for a recent vacation-- it is NOT. Mildly interesting in some parts, but-- unless you're a true "rock music or popular culture HISTORIAN" like the author-- you will need to have Google or Wikipedia handy if you want to understand much of what he is saying. It's peppered throughout with references to other, far lesser-known individuals; if you don't know who they are then you cannot "get" the author's point! Here's an example (pg. 228): "[Cyndi] Lauper was like Lesley Gore multiplied by Lydia Lunch plus one-eighth of Rowdy Roddy Piper." This highly-ANNOYING, pedantic writing style makes it a far less enjoyable read than the title suggests.
Hyden does a great job of using the notions we attach to our ideas of ourselves and how that relates to our music choices. Hyden doesn't really takes sides, with the exception of Oasis vs. Blur, but examines the sociologies associate with some of the trivialities of those arguments. A great exploration of the human condition.
Hyden is not interested in score settling or contending for TMZ. In "Your Favorite Band Is Killing Me" he strips the mythology away from some of music’s greatest rivalries/feuds and focuses on the far more relatable and enduring human elements. Patience is at times required of the reader as Hyden often goes on personal tangents with varying degrees of fulfillment towards the larger point he is trying to make. But ultimately I saw endearment in his quirky writing style that and was willing to go along on his layered journey. The reader will find themselves thinking of even the most tired debates (Beatles vs. Stones, Prince vs. Michael Jackson) in new ways that go far beyond who’s music is superior. The irony is that by, for the most part, not choosing sides, Hyden points out their futility and by doing so may have settled them all anyway.
Once I locked in I breezed through because I really enjoyed the walk down (in many cases) memory lane. But Hyden moves beyond simple sentimentality and stereotypical face-offs to make some really great points that left me thinking even after I turned the last page. Not bad for a pop music memoir, eh?
I enjoyed this book. It is a good beach read. You can pick it up, read a few chapters, and not read it again for a week, and not miss a beat. I like Steven's comparisons and insight into some high profile feuds.
For music fans, this book is a must. Hyden expertly explores not only the rivalries but the personal parallels associated with them. His anecdotes are consistently hilarious and insightful. This is a must for any music fan; it's fascinating and well-written.
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